Stage Wash Frenzy: COLORpalette™

-written by Bruce Schwarz

COLORpalette™ has full wash side lighting and 27 channels of backlighting creativity. COLORpalette™ also answers the popular forum question, “What is the best way to uplight our drummer?” These fixtures will light up any drum kit with a nice full color wash, showing off all the details of a live performance sometimes overlooked.

We use three COLORpalette™ fixtures on our industrial kit, one in front of the kick and one on each front corner. For some, the kit is a focal point and treated as such. Although the COLORpalette™ has an infinite amount of options, we use the no-brainer option of static colors for the drummer and then just change the pre-programmed scene (color) depending on the mood of the song. Overall, COLORpalette™ will rock your drummers’ world!

Band Profile: Sexy Tractor

Tell us about your band and how it formed.
Several years ago, I considered starting a Kenny Chesney tribute band.  Without a front man as talented as Kenny, finding success was going to be a tough challenge.  I opted for a top 40 country music band and used the name I was picked for the tribute band.  I decided this was going to be a permanent thing, so I went so far as to trademark it.  We are the “one and only” Sexy Tractor. We perform in clubs and at private functions throughout Ala. and the Southeast.

What type of lighting is used for your performances?
Our rig includes the following CHAUVET® products: two 6SPOT™ wash lights, two Hurricane™ haze machines and two MiN™ Spot RGBW and two MiN™ Wash RGBW moving heads. We’re always looking to expand, so new items are added frequently. Because we’re a cover band, it’s just as important to provide a quality light show as it is to produce quality sound. We have to sell tickets, not albums, so we go for the live entertainment factor.

What do you think is the next big thing in the lighting industry?
Holographics? But seriously, LED fixtures have revolutionized our stage. We no longer blow breakers or have to sweat profusely under the heat of a 500-watt PAR. I really like the idea of eliminating DMX cords and having wireless communication between fixtures. We should also get rid of power cords by employing Tesla’s ideas and transmit power over the airwaves.

What is the biggest challenge you have faced while setting up for a gig?
We frequently play in venues where the stage is merely an afterthought and it doesn’t even have lighting, or the lighting installed is outdated or broken. It became paramount to create a lighting system flexible enough to work in a modular fashion everywhere we went.  LED fixtures have made this much easier to accomplish. Setup time and space are premiums, so we try to design the systems so that we’re in and out with little fuss.

Complete this thought: A show without lights is like…..
I’m sorry, I don’t understand the concept of “without lights.” Please explain. Seriously. I can’t conceive a show without lights. It’s like playing a six string guitar without three of the strings.  Or playing drums without heads.  There’s a void!

Hands-on Evaluation of the CHAUVET® LED Followspot 75

written by Nick Burke (aka DJ NickyB)
Originally posted on the GEAR BOARD at http://start.mobilebeat.com, re-posted by permission.

PACKAGING
The unit arrived unexpectedly via FedEx safe and sound in a brown corrugated box. The fixture itself was boxed in a molded, form-fitted Styrofoam liner with its IEC power cable in its individual slot within in the liner. I have to rate the packaging for this unit as an “A+.” No tripod mount or clamp is provided with the unit so you’re on your own to fabricate one. I happened to have some 1.5” white PVC pipe with an end cap and some 5/16” x 1.5” bolts with nuts and washers so I built one that would slip over the vertical post of a standard Ultimate lighting stand. I figured this had worked for my other followspot and this fixture was much lighter in weight (a mere 13.5 lbs.)

UNIT INSPECTION
After removing the fixture itself from its container, my initial inspection revealed that this particular unit was very well constructed. All handles, knobs and the like operated smoothly and with feeling. Not being my first CHAUVET® evaluation, I have to say that the build quality of their latest gear definitely exceeds the quality of their DJ line of fixtures of old. The metal housing is quite thick and the feel of the fixture is very sturdy. The “U-bracket” for tripod use was nice and gave plenty of clearance for cables and your hands. Also the DMX in/out XLR connectors were on the rear side of the unit to accommodate easy access and connection into any standard DMX controller. And with the ample clearance of the “U” bracket, all the cables could be easily routed through the bracket and down the post for a clean installation and not interfere with operating the unit.

OWNER’S MANUAL
Only a “Quick Reference Guide” is packaged with the unit but there is a full “User’s Reference Manual” available at the CHAUVET® website available as a PDF download file. The “Quick Reference” has enough information to get you started using your fixture right away as a followspot but not informative enough to take advantage of every feature of this fixture. It starts with an “About This Guide”, then a “Disclaimer” about the guide, a list of “Safety Notes” about connections, light output and heat generated. It then goes into a product description with good diagrams and explanations and a table of Menu Options and a DMX protocol table. The one big short fall I noticed, was that there is nothing in either manual describing where the gobo holder was located or how to access it and mount a gobo into it. More on this later. [EDIT: the latest user manual available on CHAUVET® site has gobo information found on page nine.)

HANDS-ON OPERATION
Insert the power cord, plug it into a standard household 115VAC outlet and get ready for a truly smooth experience. My past experience has always been to have a comparison, so I had my Odyssey FS-400/2 right next to the CHAUVET®.

The control panel for this fixture is very well laid out and easy to manipulate. There are four separate sections. On the top left, a single row of four switches … two to control dimming (MAX/MIN) and two to control the lamp (ON/BLACKOUT). Holding the ON button for three seconds puts the lamp into strobe mode.

On the top right is a red  digital display to show the mode the fixture is currently running. “Man” displays for manual mode and the numeric address is displayed when running DMX mode.

On the bottom left are two rows of four switches which control the color filter wheel. The color filter capabilities of this fixture are extraordinarily smooth and surprisingly fast. I stepped through each of the eight color switches and the change from one color to the next was “nearly” instantaneous. On my Odyssey FS-400/2 you see a true “scroll” when the colors are switched so the stepper motor on the color wheel of the CHAUVET® is clearly much, much faster. The colors of both are pretty much a standard set …..ORANGE, CYAN, RED, GREEN, MAGENTA, YELLOW, BLUE and WHITE.

On the bottom right are three switches to control the fixture’s operational mode in MANUAL or DMX mode with UP and DOWN switches to select a DMX address when running DMX mode. The fixture in DMX mode uses three DMX channels and you can refer to the DMX protocol table in the Quick StartUp Guide for the numeric values and their functions for each of the channels.

At initial turn on, there was a second or two delay prior to the 75W LED coming on but when it did, I was really surprised as to the pure whiteness of the beam. There was no comparison to the Odyssey’s 360W halogen lamp. The CHAUVET® LED Followspot 75 simply blew it away. This fixture was as bright as the 250W MSD gas discharge lamp in my Martin Imagescan gobo fixture. Next I tested the dimmer switches which are clearly marked MAX and MIN. Pressing MIN, the dimming appeared to step in smooth increments until the lamp was extinguished, Pressing MAX, the lamp brightened in the same manner until it reached full intensity. Two other buttons basically shutter the lamp off instantly and turn it back on.

Locating the gobo holder and loading a gobo image proved to be puzzling as there is absolutely no mention of it in either manual*. Drawing on my own personal experience, I guessed as to where it should be. Unscrew and remove the knob from the top of the IRIS adjustment handle. Remove the thumbscrew from the IRIS cover plate, then lift the cover straight up. Tucked in behind the color filter wheel is the gobo holder, held in place by two spring loaded clips. Pull the gobo holder straight up and voila, its ready to take on a gobo.

I was excited to try my freshly printed full color “Santa Claus’ face gobo with the words “Merry Christmas” printed in bold white letters. It took several tries to get it down to the correct size. I removed the wire spring that’s used to hold the gobo

Flat against the back of the holder, dropped my gobo in place upside down and reinserted the spring to hold it there. Why upside down? Remembering from physics class, this fixture works similar to the human eye. Images on the retina are actually seen upside down but the brain inverts the image. This fixture has no brain so an upside down image would actually be projected right side up. Make sense?

Anyway, I reinserted the gobo holder, put the cover back in place and excitedly turned on the lamp …. Viola there was Santa with Merry Christmas in full color for about 20 seconds …… then poof ….. a complete gobo meltdown**! Well, much to my disappointment, you CAN NOT use PC generated gobos on overhead projector stock in this fixture. The gobos MUST BE metal or glass to withstand the heat of the 75W LED light source. Yes I was disappointed as I had been informed otherwise but this is still a great fixture and at a great price point. To use it as a really powerful and bright gobo projector would cost you roughly $65-$85 for a custom made metal gobo but that’s a cost that gets passed onto the client.

OVERALL
Across the board I’d have to give this fixture an “A-minus” grade. Its definitely a quality piece of gear for the price. It’s a duel purpose fixture that can fit into live entertainment or DJ environments. Its light weight at 13.5 lbs and very well  constructed for road use. I lowered its grade because of the total omission of the gobo info in the manuals and its inability to handle PC generated gobos. I also think CHAUVET® should provide a mount fitting and at least one 5m dmx cable. Will I be purchasing one …. Yes I will as an upgrade over my Odyssey FS-400/2 …. That you can count on!

Nick Burke (aka DJ NickyB)
Nicky-B Entertainment, LLC – Millersville,MD
Gear Board Co-Moderator for MobileBeat.com
40+ yrs computer experience for NASA
Musician ’65-’87 / DJ since ’87

Editor's notes:
*The manual has been updated on our website; see page nine.
**We did our own test of print-your-own gobos on standard transparency film at HQ. We also performed a temperature read (see image) and did not experience the same result as described in this review.

LED Followspot 75 temperature measure at CHAUVET® HQ.

CHAUVET® shines at Pitters Mud House

Lucas Beine of STS Mobile Lighting shared this great photo with us on Facebook. He uses two Scorpion™ lasers and two Intimidator™ fixtures to light a performance by Monstars at Pitters Mud House in Cape Girardeau, Mo.

Band Profile: The Johnsons

The Johnsons is a party-rock cover band from Milwaukee, Wis., performing music from the ‘80s, ‘90s and 2000s, at private parties, venues and festivals. CHAUVET® asked Matteo Norante, drummer and vocalist for the band, four questions:

1. How did you get into this field? 
Not by choice. The rest of the band was broke and/or unwilling to take the plunge and to make a lighting investment, so I had to jump in.

2. What do you think is the next big thing in the lighting industry?
Hopefully chocolate-chili flavored lighting effects.

3. Do you have a favorite fixture (and why)?
So far my favorite fixture has been the Q-Spot™ 260-LED, because of its incredible value. We also really enjoy the 4BAR™ Tri wash light, the 6SPOT™ color-changer system and the Obey™ 70 controller we bought.

4. Complete this thought:
A show without light is like…an after-hours party without a stick pony.

SlimPAR™ 56 lights Mission Inn


Jay Fitzgerald of The D’Jay Company shared this magnificent photo with us on Facebook. He used nearly 50 SlimPAR™ 56 wash lights to illuminate this wedding at The Mission Inn Hotel and Spa in Riverside, Calif.

Gothic Show in Lancaster Lit by CHAUVET®

Experienced mobile DJ from Lancaster, Pennsylvania, DJ Diesel has been providing lighting for Shadowland Lancaster, the only Gothic/industrial show in the area for the past three years. Taking place every month, at the Chameleon Club, the show features exclusively CHAUVET® lights. In fact, DJ Diesel has only CHAUVET® DJ fixtures as part of his rig: the Line Dancer™ LED, Sweeper™ LED and J-Six™ effect lights, two COLORstrip™ Mini linear wash lights, DMX Mega Strobe™ III, Scorpion™ LGX laser light, Hurricane™ 700 fog machine and I also use three LED Shadow™ blacklight fixtures. His favorite lights is Sweeper™ LED, and he wants to add scanners or moving heads.

DJ Profile: DJ Quartz

DJ Quartz is a passionate DJ from Canada’s Saskatchewan province with 20 years of experience in the DJ industry.

1. How and when did you get started as a DJ? What types of events do you do?
I was inspired to become a DJ while immersing in the hip-hop culture, listening to music and seeing hip-hop videos and movies featuring DJs. I started my DJ career in 1992 after seeing the movie “Juice.” I experimented with making pause tapes, and played with an old turntable I was given for Christmas in 1989. I spin at a variety of events from weddings, radio spots, club nights, carnivals, special events, fundraisers, youth events, store appearances and more.

2. Is this a full-time job or something you do on the side? If it’s a side job, please let us know what you do full time.
I used to do this on the side for many years, but has become a full-time job for me since 2010. I’m also a technical analyst by trade, so I use that knowledge to drive the technical side of my DJ career and let the creative side handle the rest.

3. What fixtures are included in your setup? What are you looking to add?
I currently have American DJ and Martin fixtures because they were the most available products to me at the time. However, I have heard the CHAUVET® name more and more in the last few months and I would like to start using CHAUVET® products.

4. What is your favorite fixture and why?
Currently, one of my favorite fixtures is the Jellydome from ADJ because of its effects, but my next purchase is the CHAUVET® Hemisphere™ 5 effect light.

5. Best advice you can give someone just getting started in the DJ industry?
My best advice is if you love what you do, go for it…period. Have confidence in yourself, be positive and manage your money correctly.

6. What are your top three most requested songs?
The top three requested songs right now are “Party Rock Anthem” by LMFAO, “I’m Sexy and I know It,” also by LMFAO and “A$$” by Big Sean.

COLORstrip™ lights Calamigos

Here is a photo Sean Lee, owner of Masters of Ceremony Entertainment and Lighting in Calif., shared with us on Facebook. The wedding took place at the beautiful Calamigos Equestrian Center located in Burbank, Calif. The event featured a Vue™ 6.1 effect light and one 4BAR™, one COLORstrip™ and four COLORstrip™ Mini wash lights.

CHAUVET® DJ INfects MBLV16

Team CHAUVET® DJ traveled to Las Vegas to introduce MBLV16 attendees to our new world standard of INfectious lighting. During the show, we handed out “Lighting is INfectious” swag, gave a ShowXpress™ tutorial, rubbed elbows with some staples in the DJ community, spread the word about the $4K Social and illuminated celebrity DJs on the main stage.

To show off our latest products, we mounted more than 100 fixtures in our 20-by-20-foot booth. The most popular fixtures included the Nimbus™ dry-ice machine, the pixel-mapping PiX™ series, the battery-operated, 100% TRUE wireless Freedom™ series and the new Intimidator™ scanners and moving heads. The main stage featured celebrity artists, including Young MC, illuminated by 4Bar™ Tri wash lights and Q-Spot™ 260-LED moving heads. Check out some of the photos we took while we were on the road!