Dealer trip: Fabtronic, U.K.

Fabtronic is a sound, lighting and audio/visual supplier based in Northampton. This location boasts a large, well-appointed showroom/retail space on the first of its two floors. A suite of offices resides on the second for the hire and installation services. Mark Wallen, Chris Hobbins and Ian Watson—three of the 12-person outfit—gave us a coffee and a chat while we were there—fresh on the heels of a successful open night in May.

“CHAUVET® is definitely customer focused,” said Wallen, a 15-year employee of Fabtronic. “We wouldn’t have had the success we did during our open night without the CHAUVET® team.  They have great service, speed of delivery and [collateral] with the website and product videos. The U.K. office resolves any problems, which are not often because of the reliability of the product, and always travel to see us. It’s exciting to have them come and show us what’s possible as far as new lighting fixtures—not just a hard sell.”

Wallen cited the Hemisphere™ 5 as his favorite fixture because the effect light is “versatile, a good value, and can do an awful lot.”

Hobbins runs the installation side of Fabtronic, which sees its fair share of entertainment venues, bars, clubs, theme parks and more. And while he focuses more on the video side of the work, he noted in the last few years that CHAUVET has raised its profile in the U.K. “The quality of the fixtures is on par with Robe and Martin.”

Hemisphere™ 5 fixtures flank the showroom's truss.

BBQ at CHAUVET® HQ

CEO Albert Chauvet helms the grill flanked by managerial staff.

A great afternoon with delicious food and even better company. Best part? Management cooked for everyone! Check out more photos. Wish you were here!

Dealer trip: DFB Sound and Light Warehouse, U.K.

DFB Sound and Light Warehouse is run by Simon Griffin, Mark Aitkin and Shaun Palmer. What started in the 60s as and electronic shop has blossomed into one of the biggest dealerships in the U.K. for sound and lighting equipment.

DFB carries a wide variety of LED-fitted effect lighting, wash lights, scanners, lasers, moving heads, controllers, hazers, foggers and accessories for DJs and clubs. In fact, one third of their demo room is CHAUVET® gear.

“Now that CHAUVET® is local,” Griffin said, “we have even more inventory. CHAUVET® has proved over the last three years to be a good brand at a good value.”

Cited as a favorite fixture by Griffin, 4PLAY™ is versatile due to the four individually moving heads of the LED wash light. “When I’m showing this light, I’ll show them one way, rearrange it and they think it’s a brand new light. They love it,” Griffin said.

4PLAY™ in action at DFB's showroom.

4PLAY™ rearranged by Griffin, "looks like a brand new light."

Dealer trip: Disco World, U.K.

Located in Hartlepool, Disco World has been a bustling DJ and disco supply outlet since 1999. Back in those pre-internet days, Disco World had a thriving mail order business. In May of 2011, it moved into a new 4,000-square-foot space with a massive warehouse, ample office and showroom.

Darren Lowery and Mark Prest, owners of Disco World, have carved out a successful business, both mail order and retail sales, to include sound and lighting equipment for DJs, entertainers, theatre groups, schools, bands, venues and more. The new showroom gives their customers a great experience where “they can see the products working and we can answer questions,” Lowery said.

“CHAUVET is now a recognized brand worldwide,” Lowery said, “that offers full support and reliable products at a good value.”

Hands-On, Real-time LED Pinspot Comparison

CHAUVET® Pocketspot™ LED, CHAUVET® LED Pinspot™ 2 and the American DJ Pinspot

written by Nick Burke (aka DJ NickyB)
Originally posted on the GEAR BOARD at http://start.mobilebeat.com, re-posted by permission.

Here is my personal hands-on comparison of these three LED fixtures. I know many DJs seem to be only interested in “relative brightness” of a majority of LED fixtures since this is a fairly new technology. Let me add, that IMHO, these three fixtures cannot be evaluated or used as “generic” pinspots but are more suited to a particular application; more on this later.  I also try to keep my discussions in layman’s terms and stay away from the physics of light beam analysis.

Shipping and packaging:
My CHAUVET® fixtures arrived double boxed and individually bubble-wrapped as all electronic devices should be. Both were extremely lightweight and fully assembled. My ADJ Pinspots were purchased at my local Guitar Center, packaged pretty much the same way except it they had to be assembled by yours truly but this was not difficult or very time consuming given their relative simplicity. Both pinspot fixtures come with pre-cut color filters and auxiliary lenses that provide for wider area coverages.

First impressions:
From a construction and feel point of view, I preferred the CHAUVET® units. The Pocketspot™ LED was very sturdy and quite compact in size by comparison to the other two pinspots. The Pocketspot™ LED measures a mere 3.5” long and is 2.5” in diameter with a nice metal “U” bracket and two adjusting thumbscrews for mounting. The Pocketspot™ LED is a standalone, no frills unit with a single 4-watt white LED and it’s bright.

The CHAUVET® LED Pinspot™ 2 and the ADJ Pinspot were nearly identical physically measuring 6.75” and 6.5” respectively and both were 2” in diameter at the lens end of the barrel. I preferred the heavier ribbed construction on the LED Pinspot™ 2 as well as it’s full “U” bracket, dual thumbscrew mount. The ADJ model uses a single-sided “L” shaped bracket with only a single thumbscrew. The LED Pinspot™ 2 just looks more professional although the ADJ Pinspot  with it’s  “L” brackets  allows one to hang more units side-by-side due to its smaller overall width (3.5”). What this means … You could hang 12 CHAUVET® LED Pinspot™ 2’s on a typical four ft. T-Bar but get 14 of the ADJ Pinspots on the same T-Bar but neither setup would allow for much lateral adjustment when aiming the fixtures. Both Pinspot fixtures come with a 6-degree standard lenses installed. An optional 12-degree lens comes with the ADJ Pinspot. With the CHAUVET® LED Pinspot™ 2, the optional lens is nine degrees.

Operation and utilization:
OK everyone, this is where you should pay attention because this is where the real differences in these fixtures begin to show up. I mounted all three units, side-by-side on a four ft. T-Bar exactly 10 ft. from the wall. I powered up all three fixtures and was really surprised at what I saw.

First, the output of the CHAUVET® 4-watt Pocketspot™ WAS NOT brighter to the eye than the other two 3-watt pinspots as would be expected. This difference was due to a warmer color temperature of the LED. It more closely resembled the output of a halogen lamp. Another thing I immediately noticed was that the spot (12” diameter) on the wall was very bright at the center with an unfocused edge and a rather large (36” diameter) “halo” that decreased in intensity as it approached the outermost edges. This could be very helpful in some applications and a hindrance in others. I did however like the warmer white color on skin tones.

Moving on to the ADJ Pinspot vs. the CHAUVET® LED Pinspot™ 2, again I can tell you there are tremendous differences in their outputs. With the standard lenses installed and from 10 ft. away, the ADJ Pinspot produced a not so focused circle 11” in diameter. The CHAUVET® LED Pinspot™ 2 produced a sharply focused circle 9” in diameter and was much brighter. Both fixture’s outputs had a blue halo at the beams edge which I fully expected from such a bluish-white light, very reminiscent of a metal halide lamp. The CHAUVET® LED Pinspot™ 2’s “laser like” beam is quite capable of a really long throw. At 40 ft. the LED Pinspot™ 2’s beam width was 34” with a crisp edge. The ADJ Pinspot at that distance projected a 40” diagonal circle but edges were quite blurred.  Through a mild haze, both beams looked about the same except at the final target. The winner was clearly the CHAUVET® LED Pinspot™ 2. My curiosity got the best of me as to why the blurred edges from the ADJ Pinspot so I removed the lenses. The primary difference was that the mount point for the LED in the ADJ Pinspot was about halfway down the barrel. On the CHAUVET® LED Pinspot™ 2, the LED was mounted at the rear of the barrel. This clearly affects the focal point of the beam at the lens, hence the blurry beam edges of the ADJ Pinspot.

The next logical step was to mount the optional lenses. I installed the 9-degree optional lens on the CHAUVET® LED Pinspot™ 2 and the 12-degree optional lens on the ADJ Pinspot. The CHAUVET® LED Pinspot™ 2’s beam from 10 ft. was now 18” in diameter; the ADJ Pinspot opened up to 21” in diameter and with very sharp, crisp edges. Obviously a better lens fit for the ADJ Pinspot. The CHAUVET® LED Pinspot™ 2 was clearly brighter than it’s ADJ counterpart.

"My personal preference would have to be the CHAUVET® LED Pinspot™ 2."

Final analysis and opinions:
Of these three fixtures, I have to say my personal preference would have to be the CHAUVET® LED Pinspot™ 2. I prefer it’s professional appearance with the “U” bracket mount, it’s casing is more rugged, it’s focus is cleaner and crisper and it’s clearly the brighter fixture at comparable distances. The beam spread goes to the ADJ Pinspot and the warmness of the light goes to the Pocketspot™. The bluish-white color of both Pinspot models makes skin tones look ashen so if you shine these on people, use a colored gel.

As for practical uses, if I were lighting a mirrored ball on a 4 ft. T-Bar, I’d recommend using two Pocketspots™, one per side and they don’t have to be far from the ball to do their job without spill-over. Using either pinspot model, the fixtures would have to be further than four ft. away to do a mirrored ball justice.

For lighting a cake or table centerpieces, I’d recommend the CHAUVET® LED Pinspot™ 2 with the 9-degree lenses as they can be a comfortable distance away and still have the intensity to do a great job. Use the 6-degree lenses for centerpieces that are further away. If those pieces to be highlighted are inside of 10 ft, you might want to think about adding a couple of the ADJ fixtures and using the 12-degree lenses on your CHAUVET® LED Pinspot™ 2’s (Yes, the lenses are interchangeable).

If your purpose is for a “rainlight” effect, the CHAUVET® LED Pinspot™ 2 with it’s standard 6-degree lens is about perfect at any ceiling height. And now I’m thinking, what if I had a lens barrel cover with say a half inch aperture opening and put maybe eight of these on an eight channel sequencer. Wouldn’t that make for a nifty white laser effect?

Nick Burke (aka DJ NickyB)
Nicky-B Entertainment, LLC – Millersville,MD
Gear Board Co-Moderator for MobileBeat.com
40+ yrs computer experience for NASA
Musician ’65-’87 / DJ since ’87

Fog Machine Basics

By: Allan Reiss, product manager for CHAUVET®

Fog machines can enhance the look of any dance floor and show off your lights in a whole new way. But like any machine, foggers need some maintenance to work properly. And caring for your fogger properly will not only prolong your equipment, but your investment as well.

Fog machines contain heaters and pumps which are use to make fog and a tank which holds fog fluid. After an initial heat-up period, the high-pressure pump will pull the fluid from the tank and push it into the heater where it vaporizes into fog. The fog is then pushed out of its front nozzle. Any unused fog fluid should always be covered to avoid contamination by dust, minerals and other particles, as these can create problems.

Read on for some fast-n-easy tips to care for your fogger.

DJ University is an online resource for the DJ / mobile performer sponsored by CHAUVET®. Look for more helpful posts like this one to come.

 

DJ Profile: DJ Rockin’ Rob

Five questions with DJ Rockin’ Rob, aka Robert Spera

DJ Rockin’ Rob is a special events DJ in Lubbock, Texas who has over a decade of experience entertaining guests at weddings, corporate events, birthday parties, school dances and pool parties.  He started out with one CHAUVET® strobe light and now his entire setup is comprised of 60 CHAUVET® fixtures.

We asked him these five questions for our DJ profile.

1. How did you get started as a DJ?
In 1998, I joined the U.S. Navy and was stationed on a base in Connecticut that had an onsite bowling alley which hosted “Rock-N-Glow” parties on Thursday nights. I quickly made friends with the DJ who was playing music and interacting with the crowd, and if that DJ couldn’t make it, they would call me to fill in. That DJ taught me the true fundamentals of being a mobile DJ and his lessons stay with me every single gig I play. In 2009, I registered my company, 100% Entertainment.

2. Is this a full-time job or something you do on the side?
Being a mobile DJ and running 100% Entertainment is currently a part-time venture, but hopefully not for long. I’m also a host on That DJ Podcast which is a prerecorded show by DJs for DJs. During the day I am an exhibit technician at the Science Spectrum Museum. We make a lot of things, break a lot of things and fix a lot of things. It’s amazing how much science it takes to demonstrate science.

3. What fixtures are included in your setup? What are you looking to add?
I am the proud owner of six LED Techno Strobe™ RGB strobe lights, two LED Shadow™ blacklights, two Intimidator™ 1.2 scanners, 30 LED Pinspot™ , 10 LEDrain™ 38T, five LEDrain™ 38C, three LEDrain™ 38 and two Vue™ 1.1.

I would really like to add a full band of COLORtube™ 3.0 EQ. On a more realistic note, I have my sights set on two Scorpion™ Storm™ FX lasers, two Vue™ 3.1 effect lights and a few moving heads.

4. What is your favorite fixture and why?
My favorite fixture in my arsenal is the LED Techno Strobe™ RGB. Its flexibility has been the back bone of my mobile light show for almost four years. I can use it as a flood, wash or accent light and it communicates perfectly with my Vue™ 1.1 and Vue™ 3.1 fixtures.

5. Best advice you can give someone just getting started in the DJ industry?
It’s not about you and it’s not YOUR party. It’s theirs. Give them the party they want, not the party you think they should have. Don’t treat the event as an advertising opportunity, let your work speak for itself. If you do a good job, people will want you for their party too. Don’t beat your audience over the head with who you are and what you do, let them ask you.

The BEST Uplighting fixtures?

written by Nick Burke (aka DJ NickyB)
Originally posted on the GEAR BOARD at http://start.mobilebeat.com, re-posted by permission.

Well, tonight I had the privilege to see some real life, side-by-side comparisons of several of the most popular up lighting fixtures that are discussed repeatedly on the gear board at http://start.mobilebeat.com. At our local DJ Baltimore DJ Association, Inc. monthly meeting tonight, I got the opportunity to see first hand, a real life, side-by-side comparison of the following LED fixtures.

1 – The Blizzard Puck RGB
2 – The CHAUVET® SlimPAR™ 56
3 – The CHAUVET® SlimPAR™ 64
4 – The ADJ P64LED Pro
5 – The Jamstar Elite
6 – The CHAUVET® Colorsplash 200B

There were other LED fixtures shown and discussed at our metting but those were in the “effects” category and not suitable for up lighting. I only wish our local Blizzard Lighting Rep would’ve shown and brought a Puck RGBA, Puck RGBAW and a newer Puck-3 with him, but he had to cancel for personal reasons.

Anyway, IMHO and that of everyone else in attendance, the “champ” among the listed fixtures was clearly the CHAUVET® SlimPAR™ 64 for physical size, brightness and purity of color. The closest competitor was the Jamstar Elite BUT since they’ve gone out of business and are no longer available, I have to list the ADJ P64 LED Pro as the runner up. There has been a lot of hoopla about the Puck around here but I’ll tell you this … even the smaller SlimPAR™ 56 blew away the Blizzard Puck RGB for brightness and purity of color. Additionally, the setup menus on the CHAUVET® SlimPAR™s were more intuitive and much easier to navigate than on the other fixtures when adjustments were necessary.

Every LED fixture in the list above had some “haloing” effect with mixed colors but that was easily remedied using a frost window film which I purchased at Home Depot and had layered it onto a 10″ square sheet of clear Lexan. Just laying it over the fixture output got rid of the haloing but reduced the output ever so slightly with nearly no impact at all on overall brightness or color. Again, this is my opinion and not that of Mobile Beat but to me, it’s another case that supports the old adage that you usually get what you pay for!  I’m passionate about my DJ business and have always felt that if you’re going to do something, at the very least, do it right even if it cost you a few extra bucks. Are there better and brighter fixtures for up lighting out there? Of course there are but for the average mobile DJ, “bang for your buck” and “return on your investment” seems to have real meaning so my hats off to CHAUVET® for the SlimPAR™ series.

Nick Burke (aka DJ NickyB)
Nicky-B Entertainment, LLC – Millersville,MD
Gear Board Co-Moderator for MobileBeat.com
40+ yrs computer experience for NASA
Musician ’65-’87 / DJ since ’87